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I think we all owe a great debt of gratitude to David Chase - it seems that the Sopranos has paved the way for stylistic-quality television to find its way back into our homes. Aside from the usual HBO suspects - FX has gone and created its own group of well made filmic hours.
I just wrapped up the 12 episodes of RESCUE ME - Denis Leary's solution to the bomb that was THE JOB. The show definitely has a good idea behind it - stepping into the lives of Ladder 62, finding out what life is like after 9/11. The concept is right in your face for the first few episodes and also the finale... but in between, the series follows various crew members as they deal with family issues and the creepy problems of threesomes.
Actually, the series is pretty rough - the characters are bitter, racist-bigots... extremely flawed individuals, who put their lives on the line daily. Kinda a reversal of Tony Soprano and his crew.
The writing is sometimes sloppy - and a little "TVish." Leary's character is well written... with gigantic character issues (he has ghosts following him around... he lies-cheats-abuses every one around him).
The opening montage is set to the Von Bondies "C'mon,C'mon" - a choice that I initially did not care for. I spoke with Kern a tad... he felt not only did it work well for the editing (which of course it does) he also found some interesting lyrics to apply to the show. Here they are;
On another day c'mon c'mon
With these ropes I tied can we do no wrong
Now we grieve cause now is gone
Things were good when we were young
With my teeth locked down I can see the blood
Of a thousand men who have come and gone
Now we grieve cause now is gone
Things were good when we were young
Is it safe to say? (c'mon c'mon)
Was it right to leave? (c'mon c'mon)
Will I ever learn? (c'mon c'mon)
(c'mon c'mon c'mon c'mon)
Good stuff - Netflix it soon.
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My big brother Josh is off to an interview today. Good luck old man - remember to give a wink to the interviewer!
Yo